Hizbullah’s Post-Islamist Resistance Art

  • Joseph Alagha Political Science and Intercultural Studies Haigazian University, Beirut, Lebanon
Keywords: Post-Islamism, Islamism, cultural citizenship, cultural politics, infitāh (‘opening-up’), purposeful performing arts, resistance, democracy

Abstract

Abstract Views: 120

In post-Islamist phase, Hizbullah reformulated some of its central ideas and strategies. Its former top-down strategy of forcibly imposing an Islamic state against the will of significant parts of the Lebanese society has changed toward an integrative, bottom-up strategy, not only in politics but also in arts. Hizbullah’s popular culture and lifestyles by discussing its ‘resistance art.’ Resistance art is ideologically motivated art, which aims at rectifying individuals and reforming society by portraying art as pious-moral productions that are in line with Islamic values, norms, and religious sensibilities. It is ‘clean art’ that portrays good deeds, as distinguished from bad deeds that characterize indecent or lowbrow art.’ Resistance art deals with political and social issues as well as the themes of justice, jihād, sacrifice, and patriotism. Hizbullah exploits the concepts of cultural
citizenship and cultural politics to encourage – in mixed gender spaces – purposeful performing arts: music, dancing, singing, revolutionary theatre, and satire. Probably, Hizbullah is the only post-Islamist party that has an orchestra of more than 100 musicians who play more than 44 instruments. Islam, as it is lived out by its followers, finds a necessary expression in social practices; it is the art form of bodily movement that is more controversial. Hizbullah appears to equate modernity with European art forms rather than indigenous forms. In short, in its ideology and politics, Hizbullah fluctuated between Islamism and post-Islamism. While in its performing arts, Hizbullah conveyed a post-Islamist face. Nevertheless, the party’s post-Islamism remains inconsistent, selective, and pragmatic.

Downloads

Download data is not yet available.

References

‘Abbas, Fadi. Zaman Al-Intisarat/Days of Victory. Beirut: Dar Al-Hadi, 2009.
Alagha, Joseph. Hizbullah’s DNA and the Arab Spring. New Delhi: Knowledge World
Publishers, 2013.
—. “Jihad through Music: Hizbullah and the Taliban.” Performing Islam 1, no. 2 (2012):
263-289.
—. Hizbullah’s Identity Construction. Amsterdam: Amsterdam University Press, 2011.
—. Hizbullah’s Documents: From the 1985 Open Letter to the 2009 Manifesto.
Amsterdam: Amsterdam University Press, 2011.
Bayat, Asif. ed. Post-Islamism: The Changing Faces of Political Islam. New York:
Oxford University Press, 2013.
—. Life as Politics: How Ordinary People Change the Middle East. Stanford: Stanford
University Press, 2010.
—. Making Islam Democratic: Social Movements and the Post-Islamist Turn. Stanford:
Stanford University Press, 2007.
—. Islam and Democracy: What is the Real Question? Amsterdam: Amsterdam
University Press, 2007.
—. “Islamism and the Politics of Fun.” In Public Culture 19, no. 3 (2007): 433-460.
—. “Islamism and Social Movement Theory.” Third World Quarterly 26, no.6 (2005):
896-904.
—. “The Coming of a Post-Islamist Society.” Critique: Critical Middle East Studies, no.9
(Fall 1996): 43-52.
Bayat, Asef and Linda Herrera. Eds., Being Young and Muslim: New Cultural Politics in
the Global South and North. New York: Oxford University Press, 2010.
Boubekeur, Amel. “Post-Islamist Culture: A New Form of Mobilization?” History of
Religions 47, no.1 (2007): 75-94.
Bourdieu, Pierre. “Genèse et structure du champ religieux/Genesis and Structure of the
Religious Field.” Revue française de Sociologie, no. 12 (1971) : 295-334.
Byers, Ann. Lebanon’s Hezbollah (Inside the World’s Most Infamous Terrorist
Organizations). London: Rosen Publishing Group, 2003.
Cultural Islamic Al-Ma‘arif Association. Majalis Al-Afrah /Celebration of Feasts, 2007.
Hirschkind, Charles. The Ethical Soundscape: Cassette Sermons and Islamic
Counterpublics. New York: Columbia University Press, 2006.
Published
2018-04-03
How to Cite
Joseph Alagha. 2018. “Hizbullah’s Post-Islamist Resistance Art ”. Journal of Islamic Thought and Civilization 8 (1), 25-39. https://journals.umt.edu.pk/index.php/JITC/article/view/90.
Section
Articles