A Dialogic Critique of Post-Colonial Hybridity in Twilight in Delhi and White Mughals

  • Sadia Riaz Lecturer, Institute of Communication and Cultural Studies (ICCS), University of Management and Technology, Lahore, Pakistan
  • Usma Azhar Lecturer, Institute of Communication and Cultural Studies (ICCS), University of Management and Technology, Lahore, Pakistan
Keywords: Cultural and Linguistic Hybridity, Dialogism/Hetroglossia,, Postcolonialism

Abstract

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This study is a critique of hybridity in the light of Bakhtinian Theory of Dialogism/Hetroglossia with reference to Post Colonial texts, Twilight in Delhi and White Mughals. Hetroglossia which Bakhtin hails as the characteristic stylistic feature of the novel, celebrates not, as structuralism does, the systematic nature of language, the
variety of social speech types, and the diversity of voices interacting with one another. Center to Bakhtinain belief, language is fundamentally dialogic. This study is particularly to explore the role of dialogism as social hetroglot phenomenon. Hetroglossia can be studied as a social force which stratifies or directs the unitary
system of language into its own ideological and formal orientation, and how it relates to the literary analysis of the particular texts and other concepts mentioned above. This paper analyzes Ahmad Ali’s Twilight in Delhi and White Mughals to investigate the essence of dialogic hetroglossia that is directly proportionate with cultural hybridity.

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References

Michael Holquits, Dialogism: Bakhtin and his World (London and New York:
Routledge, 1990), 272 (Bakhtin 1981:272)
2
Edward Said, Culture and Imperialism (New York:Vintage Books, 1993), 20.
3
Ania Loomba, Colonialism/Post colonialism (London & New York: Rutledge,
1998), 2.
4
Bill Ashcroft, Gareth Griffiths and Tiffin, Helen, Post-Colonial Studies (London and
New York: Rutledge, 2007), 108.
5
Ahmad Ali, Twilight in Delhi (New Delhi: Rupa.Co, 2007), 92.
6
Ibid.,13.
7
ibid., 13.
8
Bill Ashcroft, Gareth Griffiths and Tiffin, Helen, Post-Colonial Studies, 108.
9
Ahmad Ali, Twilight in Delhi, 193.
10 Oxford English Dictionary
11 Ahmad Ali, Twilight in Delhi,4.
12 William Dalrymple, City of Djinns (New Delhi: Penguin Books, 2000)
13 Ibid., 51.
14 Oxford English Dictionary
15 Walter Terence Stace, A Critical History of Greek Philosophy (1920), 74.
http://itex.coastal.cheswick.com/report/pg/33411/src/iPad/huge/p/ipad-ph.pdf
16 Bill Ashcroft, Gareth Griffiths and Tiffin, Helen, Post-Colonial Studies, 92.
17 Homi K.Bhabha, The Location of Culture (London and New York: Routledge,
1994), 66.
18 William Dalrymple, City of Djinns, 51.
19 Ibid., 87.
20 Ania Loomba, Colonialism/Post colonialism. (London & New York: Rutledge,
1998), 176.
Published
2019-03-05
How to Cite
Sadia Riaz, and Usma Azhar. 2019. “A Dialogic Critique of Post-Colonial Hybridity in Twilight in Delhi and White Mughals”. Journal of Islamic Thought and Civilization 4 (1), 95-102. https://journals.umt.edu.pk/index.php/JITC/article/view/53.
Section
Articles