A study of visual culture on gravestone in the graveyards of Lahore
Abstract
Abstract Views: 356Passing by the roads of Lahore, one may witness reckless urban development near graveyards. These graveyards are self-introductory structures and are segregated from the rest by the abodes of the living. The study is about the inscriptions on gravestones in the graveyards of Lahore. The city of Lahore is a historical city with its history narrated through its architecture. One of the key constructions are the cenotaphs of royals; some of them are surrounded by gardens and others with beautifully manifested buildings addressing the time and glory of the past. This study investigates the visual hierarchy of the inscriptions on graves in these graveyards through market trends and techniques followed by their makers and visitors. Graveyards of Lahore, in particular, have a unique consumer culture based on the expressive nature of the people of this city. The techniques, materials and styles of construction of these graves make them more or less similar in their size, appearance and visual effect. Due to these similarities, they don’t captivate the human mind as all graveyards of Lahore are similar in their aesthetics, structure and design. This study explores the peculiar nature of these graveyards revealed by analyzing the gravestones placed almost on all the graves from various aspects. There are few researches available in which the inscriptions on gravestones have been addressed as social proclamations. These proclamations, data collection and visual surveys suggested a shift from just documentation to analytical study. Visual documentation of gravestones allows them to be considered as archives which hold a permanent record of the deceased, including their name, alias, age, gender, profession, religion, sect, final words, etc. It also covers the cultural standing of the deceased person through pated images which act as a visual directory of our social norms and beliefs. Grounded theory is applied and convenience and purposive sampling techniques are used to collect data for proper analysis.
Downloads
References
Ihsan, N. H. (2003). Buddhist Gandhara: History of art architecture. Lahore: Sang-e-Meel.
Ihsan, N. H. (2000). Historical landmarks of Lahore: An account of projected monuments. Lahore: Sang-e-Meel.
Malik, I. H. (2006). Culture and customs of Asia, culture and customs of Pakistan. London: Greenwood.
The new Encyclopedia Britannica. (1995). USA: Library of Congress Catalogue.
Singh, J. (2016). The Muslim burial ground museum and peace garden. Paper presented at the International Heritage and Museum Conference, Lahore, Pakistan.
Tarar, N. O. (2008). Aesthetic modernism in the post-colony: The making of a National College of Art in Pakistan (1950–1960s). International Journal of Art & Design Education, 27(3), 330–343.
Zaidi, S. (2010). Mazar, bazar: Design as visual culture. London: Oxford University Press.
Copyright (c) 2019 Alia Hadi Ali
This work is licensed under a Creative Commons Attribution 4.0 International License.
JAABE follows an open-access publishing policy and full text of all published articles is available free, immediately upon publication of an issue. The journal’s contents are published and distributed under the terms of the Creative Commons Attribution 4.0 International (CC-BY 4.0) license. Thus, the work submitted to the journal implies that it is original, unpublished work of the authors (neither published previously nor accepted/under consideration for publication elsewhere). On acceptance of a manuscript for publication, a corresponding author on the behalf of all co-authors of the manuscript will sign and submit a completed Copyright and Author Consent Form.
Copyright (c) The Authors